THE WORK — Available & In Progress

SIGNATURE WORKS

$9,000 – $18,000

The fullest expression of the practice — pieces where the material's history and the design's intention have found complete agreement.

Each Signature Piece begins with wood of specific, documented provenance: found, foraged, or reclaimed from a place and moment that cannot be replicated.

The design emerges from that material and no other. Rare provenance. Significant conceptual complexity. Work that becomes inseparable from the room it inhabits.

IN PROGRESS

Our Introverted & Extroverted Selves

3-Piece Collection

Available Summer 2026

A collection built around a single philosophical claim: that our spaces should hold both the reflective and the social dimensions of who we are. Each piece functions in two orientations — horizontal as a coffee table, vertical as a cocktail or accent table — honoring the full range of how we actually live.

To arrange a preview or inquire about availability, use reach out below.

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STATEMENT PIECES

$4,000 – $8,500

Each piece is a one-of-one: reclaimed wood selected for its visual presence and character, paired with modern metal in a design resolved entirely in the studio.

These pieces are ready to place — ideal for collectors, designers, and architects seeking functional art that arrives with its story already intact. No commission process, no waiting period.

CURRENTLY AVAILABLE

Let Nature Lead Table Collection

See Collection Below

IN PROGRESS

Two Materials, Meeting Honestly

Available Summer 2026

Two sculptural console tables built from reclaimed wood with a history of prior craftsmanship — each incorporating crystal set into the wood where voids and former joinery once lived. Not as ornament. As continuation. The material that held structure before, and the material that holds it now, meeting honestly in the same surface.

To arrange a preview or inquire about availability, reach out below.

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Let Nature Lead Table Collection

TWELVE PIECES. ONE PHILOSOPHY. EACH ONE MADE ONCE.

This collection began with a single question asked at the wrong scale.

I had made live-edge charcuterie boards from urban reclaimed walnut — sourced in Great Falls, Montana — for our daughter's wedding. After the celebration, I found myself surrounded by boards with remarkable movement and character, each one shaped by the natural curve of the wood rather than corrected against it.

The question that followed was simple: what if the curve was the beginning, not the problem?

What emerged was a table collection built entirely around that instinct — twelve one-of-one pieces, each following the wood's own logic rather than imposing one. Complementary in sensibility. Independent in form. Six of the twelve incorporate locally sourced crystal set into the wood, where the material called for it.

Constraint clarified everything. Scale changed it into something else entirely.

This is a finite collection. When a piece sells, it does not return.